Fashion house The Attico presented the Summer 2023 Pleasure Matters campaign starring top model Mariacarla Boscono, captured by fashion photographer Vito Fernicola. In charge of styling was Vanessa Reid, with makeup by Ana Takahashi. The art direction is the work of Louis Burguet with casting by Piergiorgio del Moro. Immediacy, urgency and intensity is exactly what is conveyed with the new The Attico collection: an utterly feminine expression of the brand’s ethos through designs that glorify the emotionality of the body.
SPRING SUMMER 2023 CAMPAIGNS
The visual portfolio devised features Mariacarla as she interprets many different shades of the feminine psyche in an ambiance that is both intimate and abstract. The space is empty, the time suspended. Spare elements appear in the room: a cushion of surreal disproportions; a sofa; carpeting on the floor; a balloon. The color of the surroundings varies from glaring white to intense red, the feelings from serene to sultry. One can almost touch emotions as they mold the space. Moving within the set and dialoguing with the camera, it is almost as if Mariacarla were a different woman in every picture, a different shade of love and involvement, which is what the collection is ultimately about. This is THE ATTICO as its most sensual.
Fashion house The Attico presented the Summer 2023 Pleasure Matters campaign starring top model Mariacarla Boscono, captured by fashion photographer Vito Fernicola. In charge of styling was Vanessa Reid, with makeup by Ana Takahashi. The art direction is the work of Louis Burguet with casting by Piergiorgio del Moro. Immediacy, urgency and intensity is exactly what is conveyed with the new The Attico collection: an utterly feminine expression of the brand’s ethos through designs that glorify the emotionality of the body.
SPRING SUMMER 2023 CAMPAIGNS
The visual portfolio devised features Mariacarla as she interprets many different shades of the feminine psyche in an ambiance that is both intimate and abstract. The space is empty, the time suspended. Spare elements appear in the room: a cushion of surreal disproportions; a sofa; carpeting on the floor; a balloon. The color of the surroundings varies from glaring white to intense red, the feelings from serene to sultry. One can almost touch emotions as they mold the space. Moving within the set and dialoguing with the camera, it is almost as if Mariacarla were a different woman in every picture, a different shade of love and involvement, which is what the collection is ultimately about. This is THE ATTICO as its most sensual.
